A Handbook of Rhetorical Devices - VirtualSalt

This webpage contains an alphabetical glossary of literary terms and their definitions

Ellipsis - Examples and Definition of Ellipsis

by Leonardo Boff (Orbis) First Place Award Winner in Spirituality, Catholic Press Association
A fine reinterpretation of atonement theory from a liberationist perspective. The central thesis holds: every understanding of Jesus death must begin with Jesus historical project embodied in his message and praxis of the kingdom of God. --Roger Haight, author Jesus Symbol of God This classic work of liberation theology explores the meaning of the Cross, both as it has been interpreted in the past and how it should be interpreted in the context of contemporary faith and circumstances. These particular circumstances include the poverty and repression, fear and violence under which so many of the world s people suffer today. In such a world, how can the Cross be understood and preached and what are the consequences of that understanding?
When Boff first wrote in the 1970s his immediate context was military dictatorship, torture, and violent repression. As he notes in his new Preface, that context must be enlarged today to include the passion of the Earth a continuation of the Passion of Christ in our time. The meaning of Christ s Cross remains the same: at once the symbol of a crime, and a sign of love and hope that violence does not have the last word.

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by Vishwa Adluri (Continuum) Parmenides has survived the "parricide" committed against him in Plato's Sophist and in every philosophy of plurality and becoming. Despite the brevity of the fragments of his poem, supposedly titled On Nature (Peri Phuseos), and the apparent simplicity of its central thought -- "being is" -- Parmenides continues to nourish speculation, historical research, and philological debate. We now even have Parmenides Publishing, which has printed or reprinted over half a dozen studies of the pre-Socratic to date. The series Continuum Studies in Ancient Philosophy currently includes no fewer than three books on the topic: Raymond Tallis' The Enduring Significance of Parmenides, Lisa Atwood Wilkinson's Parmenides and To Eon, and Vishwa Adluri's Parmenides, Plato, and Mortal Philosophy. Adluri's work stands out for the radicality of its argument, the subtlety of its interdisciplinary interpretations, and the forthright passion that motivates it.
Adluri's radical reading denies that Parmenides is the enemy of plurality and becoming. How can this be, if the poem bluntly argues that, since "being is," becoming is unthinkable and being is eternally one -- pastless, futureless, and featureless? The answer begins in plain sight, on the surface of the poem, but this surface has been ignored all too often by readers who assume they already know what Parmenides stands for. Parmenides does not in fact say "being is." The phrase (with its sundry tortured variations) is uttered by an unnamed goddess who addresses the poem's narrator. The poem begins in the first person, describing the narrator's (Parmenides'?) passionate journey ("as far as thumos might reach," fragment 1, line 1) to the gates of the divine domain. The goddess then welcomes the voyager and presents two accounts: an account of the "truth" (monistic being) and an account of mortal opinions about the mutable cosmos. The usual assumption is that the first-person proem is window dressing: like the dactylic hexameter, it is a remnant of or concession to the prephilosophical, mythmaking culture from which Parmenides is emerging. The goddess' first account is assumed to be Parmenides' own theory. Her second account is then problematic: if there is nothing but being, how can there "be" a plurality of phenomena, opinions (whether true or untrue), and opiners? Parmenides the monist turns out to be an extreme dualist, due to his uncompromising split between reality and appearance. Our task is then to construct a logical solution to this split -- if not within Parmenides' theory itself, then in our own physical or metaphysical theories.

Types of Irony — All About Irony

In the earlier period of Vedic studies, commencing about the, middle of the nineteenth century, the traditional method, which follows the great commentary of Sayana (fourteenth century A.D.), and is represented by the translation of the RV., begun by H.H. Wilson in 1850, was considered adequate. It has since been proved that, though the native Indian commentators are invaluable guides. in explaining the theological and ritual texts of the Brahmanas and Satras, with the atmosphere of which they were familiar, they did not possess a continuous tradition from the time when the Vedic hymns were composed. That the gap between the poets and the interpreters even earlier than Yaska must have been considerable, is shown by the divergences of opinion among his predecessors as quoted by him. Thus one of these, Aurnavabha, interprets nasatyau, an epithet of the Asvins, as 'true, not false', another Agrayana, as 'leaders of truth' (satyasya pranetarau), while Yaska himself thinks it may mean 'nose-born' (nasika-prabhavau)! Yaska, moreover, mentions several different schools of interpretation, each of which explained difficulties in accordance with its own particular theory. Yaska's own interpretations, which in all cases of doubt are based on etymology, are evidently often merely conjectural, for he frequently gives several alternative explanations of a word. Thus he explains the epithet jata-vedas in as many as five different ways. Yet he must have had more and better means of ascertaining the sense of various obscure words than Sayana who lived nearly 2,000 years later. Sayana's interpretations, however, sometimes differ from those of Yaska. Hence either Yaska is wrong or Sayana does not follow the tradition. Again, Sayana often gives several inconsistent explanations of a word in interpreting the same passage or in commenting on the same word in different passages. Thus asura, 'divine being', is variously rendered by him as 'expeller of foes', 'giver of strength', 'giver of life', 'hurler away of what is undesired', 'giver of breath or water', 'thrower of oblations, priest', 'taker away of breath', 'expeller of water, Parjanya', 'impeller', 'strong', 'wise', and 'rain-water' or 'a water-discharging cloud'! In short it is clear from a careful examination of their comments that neither Yaska nor Sayana possessed any certain knowledge about a large number of words in the RV. Hence their interpretations can be treated as decisive only if they are borne out by probability, by the context, and by parallel passages.

Literature: Literature, a body of written works