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In the mid-1920s, modern music was in full flower in the West, and the Soviet Union wascertainly not untouched by it. The dabbling generation of early Stravinsky had beenovertaken by others much more radical in their rejection of past musical tonalities,structures and harmonies, composers such as Arnold Schoenberg and his pupil Alban Berg,Paul Hindemith and Bela Bartok. Soviet composers of this breed gravitated toward theAssociation for Contemporary Music, the musical antithesis of the Russian Association ofProletarian Musicians (). Dodecaphonic (twelve-tone) music, pioneeredby Schoenberg, was being explored by many of these composers, and Bergs opera Wozzeck wassuccessfully staged in Leningrad, with the composer present.
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Shostakovich finally joined the Communist Party in 1960, in order to assume theleadership of the Russian Federation Composers Union. He remained, despite occasionalgovernment criticism, a popular and leading figure in Soviet music. His later worksmaintained some of the same mixture of programmatic and non-programmatic, traditional andmodernistic styles that had characterized his output throughout his adult life. When hishealth began to fail, he resigned his post and concentrated upon his composing and hisstudents, squeezing in time to work with one of his assistants on , hismemoirs. This book, which appeared after his death (in 1975) in the West, was his partingshot at those aspects of not only the Soviet system, but the capitalist West, with whichhe disagreed.
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What make me interested in this particular field of study are the art of finance and the complexity of investment market which would allow me to employ my personal skills, such as analytical and communication skills, along with my personal characteristics such as dedication and compassion for what I do.
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The first character item is Shostakovichs honesty. This was testified to by those whocame in contact with him, and shines through in , his memoirs. HarrisonSalisbury, speaking of his August 8, 1954 NY Times interview with Shostakovich, statesYou may disagree with Shostakovich strongly as I did ... But you are in no doubtabout one thing. He is completely honest and completely sincere, and his mistakes comefrom the heart and not from the mind. In his book onSoviet composers, American composer Stanley Dale Krebs comes to a similar conclusion.This paper indicates that he is also an honest composer.
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There are three factors to be considered in this argument: Shostakovichs basiccharacter, as evidenced by statements made by and about him, Shostakovichs own statementsabout his development, and the evidentiary matter mentioned above. Since the first, hischaracter, influences how we weigh the other facts, it will be discussed first.
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Since the beginning of time, it has been assumed that we have a right to speak and use words, thus we naturally begin our development of language during the early stages of live.
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However, according to Charles Darwin (1872/1998), regarding facial expressions it is not: “[...] the same state of mind is expressed throughout the world with remarkable uniformity“ In his work The Expression of...