Elka Synthex synthesisers by Generalmusic – Soundion Oy
The focus of this project is in exploring the main themes of electronic instrument design and development previous to 1970 (and therefore isn’t intended as an exhaustive list of recent commercial synthesisers or software packages.) As well as creating a free, encyclopaedic, pedagogical resource on the History of Electronic Music (and an interesting list for Synthesiser Geeks) my main interest is to expose and explore musical, cultural and political narratives within the historical structure and to analyse the successes and failures of the electronic music ‘project’, for example;
Analogue Solutions | real analogue synthesisers
The lead singer sounded a bit like Bijork, Florence Welch and Kate Bush, with her strong yet ethereal vocals, which were accompanied by a collection of keyboards, synthesisers and guitars.
I have played Baldwin organs at a time when they were still marketed and in my opinion, for what it is worth, they were pretty good in relative terms. That is to say, they sounded significantly better on the whole than the general run of analogue organs by other manufacturers, and they were only beaten by a few custom built instruments in which cost was not a factor. It would not be true to say they sounded as good as a good digital organ today, but they compared favourably with the early Allen digitals in the 1970’s. Nor, of course, did they sound indistinguishable from a pipe organ, but that is true for all pipeless organs. To my ears they also sounded much better and more natural than the cloying tone of the more expensive Compton Electrone which, like the Hammond, also relied on attempts at additive synthesis with insufficient numbers of harmonics.”